Bria Edwards is using her art to tell a story that has long been overlooked. Through her latest exhibition, she is putting Black cowboy culture back where it belongs—at the center of history, identity, and modern creative expression.
Her new solo show, What We Do, We’ve Always Done, is now on display at Julio Fine Arts Gallery at Loyola University Maryland. The exhibition brings together vivid, textured portraits that highlight the beauty, labor, and legacy of Black equestrian life.
Black Cowboy Culture Reclaimed Through Powerful Visual Storytelling
At the heart of Edwards’ work is a mission to reclaim Black cowboy culture. For years, this part of history has been ignored or misunderstood. However, her exhibition challenges that by placing Black riders and their stories front and center.
According to curator Lauren Davidson, this work is about more than just art—it is about truth and recognition. She explained that Black cowboys have always been part of the American story, from enslaved people forced into skilled horse work to modern-day riders who continue the tradition.
“This is a longstanding tradition in the Black community… it is a reclamation of space, history, indelible joy, and heritage,” Davidson said.
As a result, the exhibition not only educates viewers but also reshapes how people understand Black history and identity.
Inside the Exhibition What We Do We Have Always Done
The exhibition’s title came from a real conversation Edwards had with a Black cowboy named Ray Lockamy. When she asked what made cowboy culture inherently Black, his answer became the foundation of the show.
“What we do, we’ve always done.”
That simple yet powerful statement captures the essence of the exhibition. It reflects a deep-rooted connection to tradition, resilience, and cultural pride that has existed for generations.
Moreover, the exhibition explores Black leisure in a new way. Instead of focusing only on struggle, Edwards highlights moments of joy, care, and community within equestrian life—offering a fuller and more balanced narrative.
Bria Edwards Uses Texture and Materials to Bring Art to Life
One of the most striking aspects of Edwards’ work is her use of materials. She combines heavy body paints with elements like sawdust and pumice gel to create depth and movement in her pieces.
These textures make the images feel alive, almost as if the riders and horses are stepping out of the canvas. Edwards explained that her process is similar to storytelling.
“It’s how I make my art more vivid, like a writer would use their words, to retell these riders’ stories.”
Because of this approach, her work stands out not just visually but emotionally. Each piece invites viewers to feel the presence and energy of the subjects.
Discovering Black Equestrian Life and Redefining Leisure
Interestingly, Edwards did not grow up immersed in equestrian culture. She discovered it by chance while spending time with friends. That unexpected introduction opened the door to a world she found both fascinating and inspiring.
As she spent more time around riders, she began to understand the level of care involved. Preparing a horse, she noted, can take up to an hour before riding even begins. This dedication changed how she viewed leisure in the Black community.
Instead of seeing leisure as something simple or passive, Edwards began to see it as intentional and meaningful. The time, effort, and pride involved in equestrian life helped her rethink what rest and enjoyment look like for Black people.
Celebrating Black Expression Through Art and Style
Beyond storytelling, Edwards also celebrates Black expression through subtle but powerful details. Some pieces in the exhibition include embroidery and rhinestones, reflecting the creativity and individuality found in Black culture.
She explained that while Black people are often expressive in how they present themselves, she wanted her work to feel natural and effortless.
“I want everything to always be subtle because I want it to feel like it’s natural, just like who we are.”
Through this balance, Edwards creates art that feels both authentic and elevated. Her work honors tradition while also pushing creative boundaries.
